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marcus-web/scripts/nfr_data/nfr_2007.py

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Python

# 2007 National Film Registry inductees with LOC descriptions
# Source: https://www.loc.gov/item/prn-07-254/librarian-of-congress-announces-2007-film-registry/2007-12-27/
NFR_2007 = {
"Back to the Future": {
"year": 1985,
"description": "Before 'Beowulf' or 'The Polar Express,' writer/director Robert Zemeckis explored the possibilities of special effects with the 1985 box-office smash 'Back to the Future.' The film follows Marty McFly, accidentally transported to 1955, who must return home while helping his father become a man and protecting his family's existence."
},
"Bullitt": {
"year": 1968,
"description": "A crime drama shot on location in San Francisco, renowned for its exhilarating 11-minute car chase, arguably the finest in cinema history. Steve McQueen stars as a cop investigating a murder while navigating mob pressures and corrupt officials."
},
"Close Encounters of the Third Kind": {
"year": 1977,
"description": "Steven Spielberg's intelligent science fiction film featuring Devil's Tower as its iconic setting. The work explores humanity's quest to contact extraterrestrial life through visual and musical communication."
},
"Dance, Girl, Dance": {
"year": 1940,
"description": "Dorothy Arzner's exploration of women in show business, following two performers pursuing careers in burlesque and ballet. The film examines tensions between art and commerce and feminist identity within entertainment."
},
"Dances With Wolves": {
"year": 1990,
"description": "Kevin Costner's personal project about a cavalry soldier's spiritual transformation through contact with a Sioux tribe. The film presents one of the more sympathetic portraits of Native-American life in American cinema."
},
"Days of Heaven": {
"year": 1978,
"description": "Described as one of the most beautiful films ever made, featuring sublime cinematography across Texas Panhandle wheat fields. The narrative depicts a doomed love triangle set within an impressionistic visual landscape."
},
"Glimpse of the Garden": {
"year": 1957,
"description": "Marie Menken's avant-garde short presenting a serendipitous visual tour of a flower garden set to a soundtrack of bird calls, representing accessible experimental filmmaking."
},
"Grand Hotel": {
"year": 1932,
"description": "Edmund Goulding's ensemble piece featuring MGM stars including Greta Garbo and Joan Crawford. The film represents the first use of the all-star formula in cinema history."
},
"The House I Live In": {
"year": 1945,
"description": "Mervyn LeRoy's short film featuring Frank Sinatra advocating religious tolerance. The work presents America's diverse cultural mosaic through Sinatra's performance of the title song."
},
"In a Lonely Place": {
"year": 1950,
"description": "Nicholas Ray's scathing Hollywood satire starring Humphrey Bogart as a screenwriter suspected of murder. The film explores the psychological deterioration of an unstable artist through noir-themed storytelling."
},
"The Man Who Shot Liberty Valance": {
"year": 1962,
"description": "John Ford's final Western masterpiece examining the triumph of civilization over frontier wildness. The film's concluding aphorism—'When the legend becomes fact, print the legend'—entered the American lexicon."
},
"Mighty Like a Moose": {
"year": 1926,
"description": "Charley Chase comedy short directed by Leo McCarey. The film presents a story of homely people whose cosmetic surgeries lead to mistaken-identity comedic complications."
},
"The Naked City": {
"year": 1948,
"description": "A groundbreaking crime procedural filming on actual New York City locations rather than studio sets. It introduced a new style of film-making combining documentary realism with dramatic storytelling."
},
"Now, Voyager": {
"year": 1942,
"description": "A resonant woman's picture featuring Bette Davis transforming from a dowdy spinster into an independent, confident woman through psychiatric treatment and romantic adventure at sea."
},
"Oklahoma!": {
"year": 1955,
"description": "A Rodgers and Hammerstein musical adaptation featuring breathtaking Technicolor vistas and stereo sound. The film depicts turn-of-the-century frontier life with Western genre conventions."
},
"Our Day": {
"year": 1938,
"description": "Wallace Kelly's amateur 16mm home movie documenting his Kentucky household. This silent film demonstrates creative editing, lighting and camera techniques comparable to what professionals were doing."
},
"Peege": {
"year": 1972,
"description": "Randal Kleiser's student film depicting family members visiting their blind, dying grandmother. The grandson's emotional connection with Peege creates a renowned, extremely moving narrative experience."
},
"The Sex Life of the Polyp": {
"year": 1928,
"description": "Robert Benchley's humorous short featuring the writer as a daft doctor delivering a droll but earnest lecture on polyp reproductive habits to a women's club."
},
"The Strong Man": {
"year": 1926,
"description": "Harry Langdon silent comedy featuring the actor as a meek man loving a blind woman. This film predated similar romantic narratives by placing Langdon among The Four Silent Clowns alongside Chaplin and Keaton."
},
"Three Little Pigs": {
"year": 1933,
"description": "Walt Disney animated classic featuring personality-driven character animation. The title song 'Who's Afraid of the Big Bad Wolf' became a Depression-era anthem."
},
"Tol'able David": {
"year": 1921,
"description": "Henry King's coming-of-age drama about a youth overcoming bullying neighbors while delivering mail in rural Virginia. The film influenced Russian filmmakers of the 1920s through its innovative shot composition."
},
"Tom, Tom the Piper's Son": {
"year": 1969,
"description": "Ken Jacobs's avant-garde masterpiece re-examining an early cinema fairy tale short. This structuralist film explores cinematic parameters through manipulation of motion and light."
},
"12 Angry Men": {
"year": 1957,
"description": "Sidney Lumet's adaptation of Reginald Rose's teleplay about jury deliberation in a murder trial. The film's spare, claustrophobic style dramatizes one juror's resistance to peer pressure."
},
"The Women": {
"year": 1939,
"description": "George Cukor's ensemble comedy featuring multiple female leads without male characters. Based on Clare Boothe Luce's play, it explores women's choices between independence and romantic relationships."
},
"Wuthering Heights": {
"year": 1939,
"description": "William Wyler's adaptation of Emily Brontë's novel featuring Laurence Olivier and Merle Oberon. Cinematographer Gregg Toland's deep-focus cinematography deftly creates the moody, ethereal atmosphere of haunted love."
},
}