Inter is a typeface carefully crafted & designed for computer screens.
Inter features a tall x-height to aid in readability of mixed-case and
lower-case text. Several OpenType features are provided as well, like
contextual alternates that adjusts punctuation depending on the shape of
surrounding glyphs, slashed zero for when you need to disambiguate "0" from
"o", tabular numbers, etc.
ok rsadowski@
Public Sans is a strong, neutral, principles-driven, open-source typeface
for text or display. It is a fork of the SIL Open Licensed face Libre
Franklin. Public Sans has many similarities with its parent, but differs
in its focus on longform reading and neutral UI applicability. It takes
inspiration from geometric sans faces of the 20th century, as well as the
original Franklins of the 19th, resulting in something of a mongrel face
that retains its American origin.
ok sthen@
The taiwan-cns11643-fonts package contains TrueType fonts designed by the
Taiwanese Ministry of Education, created to be compliant with the CNS11643
encoding standard.
TW-Kai is a regular-script-style font. It consists of three files: TW-Kai,
containing characters from Unicode's Basic Multilingual Plane; TW-Kai-Ext-B,
containing characters from Unicode's Supplementary Ideographic Plane; and
TW-Kai-Plus, containing characters in the Private Use Plane.
TW-Sung is a Ming-style font. It consists of three files: TW-Sung, containing
characters from Unicode's Basic Multilingual Plane; TW-Sung-Ext-B, containing
characters from Unicode's Supplementary Ideographic Plane; and TW-Sung-Plus,
containing characters in the Private Use Plane.
ok sthen@ rsadowski@
Original submission by George Rosamond, who takes MAINTAINER -- thanks!
Tweaks and ok sthen@
The objective of this project is to create a formal Serif Latin &
Looped Thai typeface. Taviraj is a contemporary serif typeface
family that maintains readability and legibility. Inspired by
transitional serif typeface design, Taviraj has 9 weights and their
italics, which range from Thin to black. It is a contemporary take
on high contrast typefaces that never go out of style.
Original submission from George Rosamond, who takes MAINTAINER -- thanks!
tweaks and ok bentley@
Work Sans is a 9 weight typeface family based loosely on early
Grotesques, i.e. Stephenson Blake, Miller & Richard and Bauerschen
Giesserei. The core of the fonts are optimised for on-screen
medium-sized text usage (14px-48px), but still can be used in print
well. The fonts at the extreme weights are designed more for display
use. Overall, features are simplified and optimised for screen
resolutions, for example, diacritic marks are larger than how they
would be in print.
This port contains both desktop (OTF) and web fonts (TTF, WOFF,
WOFF2).
Chivo (Goat) is a new Omnibus-Type grotesque Sans Serif typeface
family. The strength of Chivo Black makes it ideal for highlights
and headlines. Chivo Regular's elegance makes it ideal for combining
with the strength of Chivo Black and for for continuous reading
settings. Its design details make it an indispensable ally for any
designer.
From George Rosamond; thanks!
ok bcallah@
Mada is a modernist, low-contrast Arabic typeface based largely on
the typeface seen in Cairo metro old signage which was designed by
Professor Fathi Gouda of Faculty of Applied Arts, Helwan University.
Mada is characterised by low descenders, open contours and low-contrast
forms making it suitable for small point sizes, user interfaces,
signage or low resolution settings.
Mada can work also as a display typeface giving modernist and
simplistic feeling.
Mada comes in 7 weights (ExtraLight, Light, Regular, Medium, SemiBold,
Bold and Black), as well as an interpolatable variable font that
can provide any intermediate weight on the fly.
ok sthen@
From George Rosamond; thanks!
